BIBLIOGRAPHIE
Services audiovisuels à la demande 'VoD, télévision de rattrapage, plates-formes de partage vidéo) (2010-2019)
Internet et le marché audiovisuel - Approches d'ensemble
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GRECE A., LANGE A., SCHNEEBERGER A., VALAIS S., The development of the European market for on-demand audiovisual services. Report of the European Audiovisual Observatory for the European Commission, April 2015
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JOHNSON, C., Online TV, Routledge, 2019
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JOHNSON D. (ed.), From Networks to Netflix, A Guide to Changing Channels, Routledge, 2018.
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KYNCI, R., Steampunks, YouTube and the Rebels Remaking Media, Harper-Business, 2017.
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LANGE A.(ed.), 2012 Yearbook, Television, cinema, video and on-demand audiovisual services – the pan-European picture, European Audiovisual Observatory, 2012
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LANGE A.(ed.), 2013 Yearbook, Television, cinema, video and on-demand audiovisual services – the pan-European picture, European Audiovisual Observatory, 2013
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LANGE A.(ed.), 2014 Yearbook, Television, cinema, video and on-demand audiovisual services – the pan-European picture, European Audiovisual Observatory, 2014
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STRANGELOVE, M., Post-TV: Piracy, Cord-Cutting, and the Future of Television, University of Toronto Press, 2015
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YLINIVA-HOFFMANN, A., MATZNELLER, P., Les nouveaux services et la protection des radiodiffuseurs en droit d’auteur, IRIS Plus 2010-5, Observatoire européen de l'audiovisuel, 2010.
Réglementation
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AUTORITE DE LA CONCURRENCE, Avis du 21 février 2019 relatif à une demande d’avis de la commission des Affaires culturelles et de l’Éducation de l’Assemblée nationale dans le secteur de l’audiovisuel
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BLOUD-REY, C., MENURET, J.-J., Le droit de la régulation audiovisuelle et le numérique, Éditions Larcier, 2016
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CABRERA BLAZQUEZ, F.J., Qu’est-ce qu’un service à la demande ? IRIS Plus 2013-4, Observatoire européen de l'audiovisuel, 2013.
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CABRERA BLÁZQUEZ F.J., , CAPPELLO, M., VALAIS, S., LEPINARD, A., The protection of minors in a converged media environment, IRIS Plus 2015-1, European Audiovisual Observatory, 2015 (=La protection des mineurs dans un paysage médiatique en pleine convergence, Observatoire européen de l'audiovisuel, 2015).
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CABRERA BLÁZQUEZ F.J., , CAPPELLO, M., FONTAINE G., VALAIS, S., On-demand services and the material scope of the AVMSD, IRIS Plus 2016-1, European Audiovisual Observatory, 2016.
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CABRERA BLÁZQUEZ, F.J., CAPPELLO, M., GRECE, C., VALAIS,S., VOD, platforms and OTT: which promotion obligations for European works?, IRIS Plus 2016-3:, European Audiovisual Observatory, 2016
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CABRERA BLÁZQUEZ, F.J., CAPPELLO, M., GRECE, C. VALAIS, S. Commercial communications in the AVMSD revision, IRIS Plus 2017-2, European Audiovisual Observatory, 2017.
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CABRERA BLAZQUEZ F.J., CAPELLO, M., FONTAINE G., RABIE I., VALAIS, S., The legal framework for video-sharing platforms, IRIS plus 2018-1, European Audiovisual Observatory, 2018.
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CONSEIL EUROPEEN / CONSEIL DE L'UNION EUROPEENNE, "Services de médias audiovisuels"., 2018
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DOCQUIR P.-F.,, HANOT M., Nouveaux écrans, nouvelle régulation ? Primento, 2013
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EUROPEAN AUDIOVISUAL OBSERVATORY, AVMS Database
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EUROPEAN COMMISSION, Audiovisual Media Services Directive (AVMSD), 2018.
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LE DIBERDER A., La nouvelle économie de l'audiovisuel, La Découverte, 2019.
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NIKOLTCHEV, S. (dir.), Les aspects juridiques de la vidéo à la demande, IRIS Spécial 2007, Observatoire européen de l'audiovisuel, 2007.
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NIKOLTCHEV S. (dir.), La réglementation des services audiovisuels à la demande : chaos ou cohérence ?, IRIS Spécial 2011, Observatoire européen de l'audiovisuel, 2011.
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OCHOA, N., Le principe de libre-circulation de l'information - Recherche sur les fondements juridiques d'Internet, HALSHS, 2016
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PARLEMENT EUROPEEN, "De nouvelles règles pour les services de médias audiovisuels adoptées par le PE", Communiqué de presse, 02-10-2018
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SCHEUER, A. La protection des mineurs et les contenus audiovisuels à la demande, IRIS Plus 2012-6, 2012, Observatoire européen de l'audiovisuel, 2012.
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SCHEUER, A.Convergence des médias : des lois différentes pour un même contenu ? IRIS Plus 2013-3, Observatoire européen de l'audiovisuel, 2013.
Plates-formes de partage vidéo
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BURGESS, J. GREEN J., YouTube: Online Video and Participatory Culture, John Wiley & Sons, 2009, 2nd edition 2018.
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MILLER, K., Playing Along: Digital Games, YouTube, and Virtual Performance, Oxford University Press, 2012.
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Networking images. Approches interdisciplinaires des images en réseau, Théoème, n.17, 2013.
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POELL, T. , NIEBORG D.B., DUFFY, B.E., Platforms and Cultural Production, John Wiley & Sons, 2021.
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SNICKARS, P., VONDERAU, The YouTube Reader, National Library of Sweden, 2010.
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STRANGELOVE, M., Watching YouTube: Extraordinary Videos by Ordinary People, University of Toronto Press, 2010
Télévision de rattrapage / Impact d'Internet sur la télévision
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CNC, Economie de la télévision de rattrapage (annuel depuis 2013)
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EVENS, T., DONDERS K., Platform Power and Policy in Transforming Television Markets, Palgrave, 2018.
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GUNTER, B., Television Versus the Internet: Will TV Prosper or Perish as the World Moves Online?, Elsevier, 2010
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LOTZ A.,D. The Television Will Be Revolutionized, New York University Press, 2007, 2nd edition 2014.
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LOTZ A.D., Portals. A Treatise on Internet-Distributed Television, Maize Books, 2016.
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WOLK, A., Over the Top, How The Internet Is (Slowly But Surely) Changing The Television Industry, CreateSpace Independent Publishing Platform, 2015.
Vidéo à la demande (VoD / VàD)
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BARKER C., WIATROWSKI, M., The Age of Netflix: Critical Essays on Streaming Media, Digital Delivery and Instant Access, McFarland, 2017
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CLARES, J., "The MEDIA Program 2007-2013 and its impact on the development of new technologies. The call for proposals on Pilot ptojects", Proceedings of the 4th International Multi-Conference on Society, Cybernetics, and Informatics (IMSCI 2010), International Institute of Informatics and Systemics, Vol. 2, pp.11-17.
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CNC, Observatoire de la vidéo à la demande, annuel
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CUNNINGHAM S., SILVER J., Screen Distribution and the New King Kongs of the Online World, Palgrave Pivot, 2013.
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CURTIN, M., HOLT J., SANSON K., (eds.) Distribution Revolution: Conversations about the Digital Future of Film and Television, University of California Press, 2014
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ENE L., GRECE C., Origin of films in VOD catalogues in the EU, DGCNCT Note 4, produced by the European Audiovisual Observatory on behalf of the European Commission, Strasbourg, 2015
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FONTAINE G., The visibility of film on on-demand platforms: Germany, France and the United Kingdom, DGCNCT Note 5, produced by the European Audiovisual Observatory on behalf of the European Commission, Strasbourg, 2015
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FONTAINE G., The theatrical – TVOD window A sample analysis, European Audiovisual Observatory, 2019.
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FONTAINE G. and SIMONE P. (ed.), The Exploitation of Film Heritage Works in the Digital Era, European Audiovisual Observatory, Strasbourg, 2016
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FONTAINE G. and GRECE C., Origin of films and TV content in VOD catalogues in the EU & Visibility of films on VOD services, European Audiovisual Observatory, Strasbourg, November 2016
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FONTAINE G. and SIMONE P., The access to film works in the collections of Film Heritage Institutions in the context of education and research, European Audiovisual Observatory, Strasbourg, May 2017
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FONTAINE G., The visibility of films and TV content on VOD,, European Audiovisual Observatory, Strasbourg, November 2017
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GAUSTAD T., "How streaming services make cinema more important", The Nordic Journal of Media Studies, vol.1, 1, June 2019.
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GRECE C. (ed.), How do films circulate on VOD services and in cinemas in the European Union?, European Audiovisual Observatory, Strasbourg, 2016
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GRECE C., The circulation of EU non-national films - A sample study: Cinema, television and transactional video on-demand, European Audiovisual Observatory, Strasbourg, November 2017
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GRECE C., Trends in the EU SVOD Market, European Audiovisual Observatory, 2017.
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IORDANOVA, D., CUNNINGHAM S. (eds.), Digital Disruption: Cinema Moves On-Line, St Andrews Film Studies, 2012.
Netflix
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AMIDON LUSTED, M., Netflix: The Company and Its Founders; ABDO Publishing Company, 1 sept. 2012
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ANASTASIA M. et al., Netflix. Revolutionizing the Way We Watch, A Case Study, CreateSpace Independent Publishing Platform, 2014.
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BARKER C., WIATROWSKI M. (Eds.), The Age of Netflix. Essays on Streaming Media, Digital Delivery and Instant Access, McFarland, 2017.
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BURLING. A., Netflix, Essential Library, ABDO, 2018
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COUSIN, C., NETFLIX & Cie - Les coulisses d'une (r)évolution, Armand Colin, 2018.
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GREEN S., Netflix, Bellwether Media Inc., 2018
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GRINAPOL, C. Reed Hastings and Netflix, The Rosen Publishing Group, Inc, 2013
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HOFF T., Netflix. What Happens When You Press Play ?, Possibility Outpost, 2018.
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How Netflix Produces Happy Endings, FT Press, 2010
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JACKSON A., Netflix®: How Reed Hastings Changed the Way We Watch Movies & TV, Simon and Schuster, 2014
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JENNER, M. Netflix and the Re-invention of Television, Palgrave Macmillan, 2018.
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KEATING G., Netflixed: The Epic Battle for America's Eyeballs, Portofolio/Penguin, 2012.
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LOBATO, R., Netflix Nations: The Geography of Digital Distribution, New York University Press, 2019.
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McDONALD, K., SMITH-ROWSEY, D., (eds.), The Netflix Effect: Technology and Entertainment in the 21st Century, Bloomsbury Academic, 2018
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NOVER, S., Netflix vs. the World: A Study of Competitive Trends in the Modern American TV Industry, The George Washington University, ProQuest Dissertations Publishing, 2018
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ROEBUCK, K., Netflix: High-impact Strategies - What You Need to Know: Definitions, Adoptions, Impact, Benefits, Maturity, Vendors, Lightning Source, 2011
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SMITH D., '"Netflix and Chill: Building a Recommendation System in Excel Learn the Machine Learning “Magic” behind the Binge", Towards Data Science, July 5 2018.
Services radiophoniques et services musicaux en ligne
Voir également Industrie musicale
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BERRY, R. Will the iPod Kill the Radio Star? Profiling Podcasting as Radio. University of Sunderland, 2006
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BERRY, R., "Will the iPod Kill the Radio Star? Profiling Podcasting as Radio", Convergence: The International Journal of Research into New Media Technologies, Vol 12, Issue 2, 2006
Sites web d'actualité et d'analyse
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Stratechery by Ben Thompson
