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Politique et économie du cinéma
Approches générales - Dimensions internationales de la politique et de l'économie du cinéma

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BOUGHEY, D., The Film Industry, Sir Isaac Pitman & Sons, 1921.

GEYER O.R., "Winning Foreign Film Markets. How the American Motion Picture Industry Is Acquiring A Firm Footing in Other Lands", Scientific American, August 20, 1921.

GOLDEN N.R., Short-subject film market in Latin America, Canada, the Far East, Africa, and the Near East, US Department of Commerce, 1928.

"Die Kinotheater der Erde", Lichtbildbühne, vol. 14, n.4, 22 January 1921, p.27

SEABURY, W.M., Motion picture problems : the cinema and the League of Nations, Avondale Press, c1929.



Kinematograph Year Book 1931Kinematograph Publications Ltd., 1931.

Kinematograph Year Book 1933, Kinematograph Publications Ltd., 1933.

GOLDEN N.D., Review of Foreign Film Markets during 1938, US Department of Commerce, 1939.


STRAUSS, W.S., "Foreign Distribution of American Motion Pictures", Harvard Business Review, n.8, April 1930.


BÄCHLIN P., Der Film als Ware (Diss.) Basel, 1945 ; Edition Kunst und Gesellschaft, 1972 (= BACHLIN, P., Histoire économique du cinéma, La Nouvelle Edition, Paris, 1947). (Compte-rendu critique par J. Casevitz, Annales, 1947,  2-4  p. 500).

International Motion Pictures Almanac 1940-1941, Quigley Publishing Corporation, 1940.

"International Movement of Films", Cumulative Digest International Law. and  Relations, November 9 1931, 

Kinematograph Year Book 1947Kinematograph Publications Ltd., 1947.

NICHTENHAUSER, A. "The Tasks of an International Film Institute", Hollywood Quarterly, Vol. 2, No. 1 (Oct., 1946), pp. 19-24 

UNESCO, Commission on Immediate Technical Needs in Press, Radio and Film in War-devastated Countries, “Questionnaire VII. Film”, Unesco, 1947. (= Questionnaire VII. Cinéma)

UNESCO, Conclusions and recommendations of the Film Sub-commission. Conférence :Commission on Immediate Technical Needs in Press, Radio and Film of War-devastated Countries,  Unesco, 1948

UNESCO, Conclusions (de l'enquête sur les agences d'information, la presse, la radio, le cinéma), UNESCO, 1948



Film and cinema statistics: a preliminary report on methodology with tables giving current statistics, UNESCO, 1955.

Questionnaire concernant les statistiques de la production et de l'exploitation cinématographiques, UNESCO, 1956.


Questionnaire concernant les statistiques de la production et de l'exploitation cinématographiques, UNESCO, 1958


GUBACK, T., The international film industry, Indiana University Press, 1969.

LEGLISE P. (dir.), L'Envers du cinéma. 1. la production, Courrier de l'Unesco, 1962.

MERCILLON H., "Industrie culturelle et littérature économique", Communications , 1963,  2,  pp. 23-40

MITRY, J., Histoire du cinéma. Art et industrie, 5 vol., Editions universitaires, 1967.

SPRAOS J., The Decline of the Cinema : An Economist's Report, George Allen and Unwin, 1962.

UNESCO, Basic facts and figures, : international statistics relating to education, culture and mass communication, annuel de 1960 à 1963

UNESCO, Annuaire statistique, Anuario estadístico, Statistical yearbook, annuel à partir de 1964.


GUBACK, T., "Film as international business", Journal of Communication, 1978.

HOPKINSON G., Le Rôle du film dans le développement, Unesco, 1972.

JARVIE, I.C., Towards a Sociology of the Cinema. A Comparative Essay on the Structure and Functioning of a Major Entertainment Industry , Routledge, 1970,  2nd edition Routledge, 2013.

Questionnaire on statistics of communication, pt 2: films and cinemas, Unesco, 1975

UNESCO, Annuaire statistique, Anuario estadístico, Statistical yearbook, annuel à partir de 1964


AUSTIN A.B., The film audience : an international bibliography of research, with annotations and an essay, Scarecrow Press, 1983


AUSTIN A., Immediate seating: a look at movie audiences, Wadsworth Pub. Co., 1989


BENGHOZI P.-J., Le Cinéma entre l’art et l’argent, L’Harmattan, 1989, 

GLASS, A., WATERMAN D., "Predictions of movie entertainment value and the representativeness heuristic", Applied Cognitive Psychology 2(3), July 1988 pp.173 - 179

JOWETT, G., LINTON, J.M., Movies as Mass Communication, Sage Publications, 1980, 2n edition, 1989.

LANGE A., avec la collaboration d'A. LEPASSET et D. POUILLOT), Le marché mondial du cinéma et de l’audiovisuel, 1ère édition, IDATE, Montpellier, 1989.

MICHALET, C.A., Le drôle de drame du cinéma mondial, Editions La Découverte, Paris, 1987.

RICHARDS, J.,SHERIDAN D., Mass Observation at the Movies,  Routledge, 1987

SLIDE A., The International Film Industry, Greenwood, 1984

THOMPSON K., Exporting Entertainment. America in the World Film Market 1907-1934, British Film Institute, 1985.

UNESCO, Annuaire statistique, Anuario estadístico, Statistical yearbook, annuel à partir de 1964. 1982

WILDMAN S., SIWEK, S., International Trade in Films and Television Programs, Ballinger, 1988.




BELTON J., Widescreen Cinema, Harvard University Press, 1990.


BELTON, J., Movies and Mass Culture, Rutgers University Press, 1996.

CONES J.W., Film Finance and Distribution : a Dictionnary of Terms, Silman-Janes Press, 1992.

DACIE, J. HANCOCK.D, .LANGE, A., Le marché mondial du cinéma et de l’audiovisuel, 3ème édition, Etude multi-clients, IDATE, Montpellier, 1993. (= The World Film and TV market, 2nd edition, Multiclient study, IDATE, Montpellier, 1993.

DALE M., The movie game: The film business in Britain, Europe, and  America, Cassell, 1997


Film Distribution International: Rights and Markets, Baskerville Communications Corp., Thousand Oaks, 1996.

Focus. Trends of the World Film Market, Marché international du film du Festival de Cannes / Observatoire européen de l'audiovisuel, annuel depuis 1999.

HANCOCK, D., LANGE, A. Le marché mondial du cinéma et de l’audiovisuel, 2ème édition, IDATE , Montpellier, 1991.  (= The World Film and TV Market, 1st edition, IDATE, Montpellier, 1991)

HANCOCK, D., "Global film production"Venice Conference held by EURO-MEI on 29-30 August 1998

HOSKINS C., McFAYDEN S., FINN A., Global television and film. An introduction to the economics of the business, Oxford University Press, 1997.

HUBERT E., Cashing In: Chancen und Risiken privater Filmfinanzierungs Fonds, Verlag für Berlin-Brandenburg, 1997.

JARVIE, I., Hollywood Overseas Campaign, The North Atlantic Movie Trade 1920-1950, Cambridge University Press, 1992.

LANGE, A., "World Film market - Le marché mondial du film", in Catalogue du MIF - Festival international de Cannes, MIF, Paris, 1998. 

LANGE C., Erfolgspotentiale für Spielfilm, Akademische Abhandlungen zu den Wirtschaftswissenschaften, 1999.

LITMAN  B., The Motion Picture Mega-Industry, Allyn and Bacon, 1998.

MAYNE, J., Cinema and spectatorship, Routledge, 1993.

MORAN A., (ed.) Film policy : international, national, and regional perspectives, Routledge, 1998.

NICKEL U., Kinowerbung. der Film vor dem Film, Edition U.M., 1997

PUTTNAM  D., The Undeclared War, Harper Collins, London, 1997

RÖSCHEISEN T., Filmproduktion und Fernsehproduktion für internationale Märkte, Fischer, 1997.

SEGRAVE K., American Films Abroad: Hollywood's Domination of the World's Movie Screens from the 1890s to the Present, McFarland, 1997.

THIERMEYER M., Internationalisierung von Film und Filmwirtschaft , Weimer Wein, 1994.

TURNER, G., Film as social practice, Routledge, 1988, 3rd edition, 1999



AUER M., Top oder Flop?: Marketing für Film- und Fernseh-Produktionen, UVK, 2000.


BAKKER, G., Entertainment Industrialised, The Emergence of the International Film Industry, 1890–1940, Cambridge University Press, 2009.

CASKERVILLE COMMUNICATIONS, Global Film. Exhibition and Distribution, Baskerville Communications, 3rd edition, 2000; (Summary)

BELLER J., The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle, University Press of New England, 2006.

BESSIERE I., GILI J.A., (dir.), Histoire du cinéma. Problématique des sources, Institut d'Histoire de l'art, Maison des Sciences de l'Homme, Université Paris-I Panthéon-Sorbonne, 2004.

CALDWELL, J.T., Production culture: Industrial reflexivity and critical practice in film and television, Duke University Press, 2008.

CHANG B.H. KI, E. J. "Devising a practical model for predicting theatrical moviesuccess: focusing on the experience good property."Journal of Media Economics, 18 , (4), 2005, pp.247-269

CHISHOLM, D.C., NORMAN, G. "When to Exit a Product:Evidence from the U.S. Motion-Pictures Exhibition Market", America, Economic Review, 96, 2, 2008, pp.57-61.


CHUNG J.E. "Mapping international film trade: network analysis of international film trade between 1996 and 2004". Journal of Communication, 61 (4), 2011, pp.618-640

CICIRETTI R., HASAN, I. WAISMAN, M.,  "Distribution strategy and movie performance:an empirical note", Eurasian Economic Review, 5(1), 2015,  pp.179-187

COATE B., VERHOEVEN D., PALMER S., ARROWSMITH C., "Using big cultural data tounderstand diversity and reciprocity in the global flow of contemporary cinema" in UNESCO, Proceedings of the International Symposium on the Measurement of Digital Cultural Products  Montreal, 9-11 May 2016, pp. 141-151

COLLINS, A.,  FERNÁNDEZ-BLANCO, V. & PRIETO-RODRÍGUEZ, J., “Characteristics of Buyers and Renters of Cultural Goods: The Case of Movies”. Applied Economics, 41 (2), 2009?  pp. 195-2010

CRAIG, C.S., GREENE W.H., DOUGLAS S.P., "Culture matters: consumer acceptanceof US films in foreign markets"Journal of International Marketing, 13 (4),  2005, pp. 80-103. 

CRETON, L. (dir.), Cinéma et stratégies: économie des interdépendances,  Théorème, n.12, Presses Sorbonne Nouvelle, 2008

DURIE J., PHAM A., WATSON N., Marketing and Selling Your Film Around the World: A Guide for Independent Filmmakers, Silman-James Press, 2000 

ELIASHBERG J. ELBERSE A., LEENDERS M.A. "The Motion Picture Industry: Critical Issues in Practice, Current Research, and New Research Directions". Marketing Science, 25(6), 2006, pp. 638–661.

ESPEJO, R., The Film Industry, Gale / Greenhaven Press, 2009.

FLIBBERT, A., Commerce in Culture: States and Markets in the World Film Trade, Palgrave MacMillan, 2007.

Focus. Trends of the World Film Market, Marché international du film du Festival de Cannes / Observatoire européen de l'audiovisuel, annuel depuis 1999.


FOREST, C., Quel film voir ?: Pour une socio-économie de la demande de cinéma, Presses Universitaires du Septentrion, 2009 

GAMM, K., Teaching world cinema, BFI, 2004.

GUILLOU, B., La distribution des films en ligne, Observatoire européen de l'audiovisuel, 2004.

HADIDA, A.L., "Motion picture performance: A review and research agenda", International Journal of Management Reviews, 2009

HAGENER, M., TÖTEBERG M., Film - An international bibliography, Verlag J.B. Metzler, 2002.

HANSON G.H., XIANG C., "Testing the Melitz model of trade: an application to US motion picture exports", National Bureau of Economic Research Working Paper, 2008.

HANSON G.H., XIANG C., "International Trade in Motion Picture Services", in REINSDORF M., SLAUGHTER M.J., International trade in services and intangibles in the era of globalization, University of Chicago Press, 2009, pp. 203-222

HOLBROOK M.B., ADDIS, M."Art versus commerce in the movie industry: a Two-Path Model of Motion-Picture Success", Journal of Cultural Economics, 2008

KINDEM, G., (ed.) The International Movie Industry, Southern Illinois University, 2000.

JAYAKAR K.P., WATERMAN D., "The economics of American theatrical movie exports: an empirical analysis". Journal of Media Economics, 13

(3), 2000, pp. 153-169.

JOHNSON M. , "IMDb Movie Ratings Over the Years", Blog, October 2009.

LEENDERS M. A.A.M., "The Motion Picture Industry: Critical Issues in Practice, Current Research, and New Research Directions", Marketing Science, 2006

MANN D., Hollywood Independents : The Postwar Talent Takeover, University of Minnesota Press, 2008.

MILLER, T., GOVIL N., McMURRIA, J., MAXWELL, R.,Global Hollywood, British Film Institute, 2001

MILLER, T., GOVIL N., McMURRIA, J., MAXWELL, R., WANG. T.,  Global Hollywood 2. Palgrave Macmillan, 2004

MORETTI, F., "Planet Hollywood", New Left Review, May-June 2001.

MOUL, C. (ed.),  A Concise Handbook of Movie Industry Economics. Cambridge University Press, 2005

MOUL, C. C. “Measuring Word of Mouth’s Impact on Theatrical Movie Admissions.” Journal of Economics and Management Strategy, 16, 2007, pp.859–892.

ORBACH B. Y., and EINAV L.  “Uniform Prices for Differentiated Goods: The Case of the Movie-Theater Industry.” International Review of Law and Economics, 27, 2007, pp.129–153.

PERRETTI F, NEGRO G., Economia del cinema. Principi economici e variabili strategiche del  settore cinematografico. Etas, 2003.

ROWDEN T., EZRA E., (Eds.), Transnational Cinema: The Film Reader

Routledge. 2006.

SEDGWICK J., POKORNY M., (eds.), An Economic History of Film, Routledge, 2005

SQUIRE, J. (ed.), The Movie Business Book,  Fireside, 3rd edn. 2003.

TRUMPBOUR, J., Selling Hollywood to the World: US and European Struggles for Mastery of the Global Film Industry, 1920-1950, Cambridge University Press,  2007

TRYON C. Reinventing Cinema: Movies in the Age of Media Convergence, Rutgers University Press, 2009

TZIOUMAKIS, Y., American Independent Cinema. An Introductioon, Edinburgh University Press, 2006, 2nd edition 2017.

VITALI, W., WILLEMAN P., (eds.), Theorising National Cinema, Routledge, 2006.

WAYNE FU, W., "Concentration and Homogenization of International Movie Sources: Examining Foreign Film Import Profiles", Journal of CommunicationsVolume56, Issue4, December 2006, pp. 813-835

WAYNE FU, W., "Screen Survival of Movies at Competitive Theaters: Vertical and Horizontal Integration in a Spatially Differentiated Market", Journal of Media Economics Volume 22, 2009 - Issue 2, pp. 59-80.



AKDENIZ M.B, TALAY M.B., "Cultural variations in the use of marketing signals: A multilevel analysis of the motion picture industry"., Journal of the Academy of Marketing Science, 41, (5), 2013, pp.601-624

ALBORNOZ, L.A., Diversity and the film industry An analysis of the 2014 UIS Survey on Feature Film Statistics, UNESCO In stitute for Statistics, 2016.

ARROWSMITH C., VERHOEVEN D., DAVIDSON, A., COATE B., "Kinomatics: A global study into Cinema Data", in ARROWSMITH C., BELLMAN C., CARTRIGHT W., SHORTIS M. (eds.), Proceedings of the Geospatial Science Research 3 Symposium (GSR_3), 2014, pp.1-8)

BAKOY E., PUIJK R., SPICER A (eds.), Building successful and sustainable Flm and television businesses: A cross-national perspective, Intellect, 2017

BARNIER, M., KITSOPANIDOU K., Le cinéma 3-D: Histoire, économie, technique, esthétiqueArmand Colin2015

BEHLIL, M. Hollywood is Everywhere : Global Directors in the Blockbuster Era, Amsterdam University Press, 2016

BILTEREYST D., MALTBY R., MEERS P., The Routledge Companion to New Cinema History, Routledge, 2019

BILTEREYST D., MALTBY R., MEERS P., Explorations in New Cinema History: Approaches and Case Studies, Wiley-Blackwell, 2011

BLOORE, P., The screenplay business: Managing creativity and script development in the film industry, Routledge, 2013.

BOHL, M.T., EHRMANN T., WELLENREUTHER C., "A Note on the Success of Media Investments: No Predictability, Pure Luck", October 2016.

BORDWELL, D., Pandora's Digital  Box. Films, Files and the Future of the Movies, The Irvington Way Institute Press, 2012.

BOSMA, P., Film Programming: Curating for Cinemas, Festivals, Archives, Wallflower Press /Columbia University Press,  2014; Additionnal Notes, 2017.

CABRAL  L., NATIVIDAD G.  “Box-Office Demand: The Importance of Being #1. Journal of Industrial Economics, Vol. 64 (2016), pp. 277–294.

CABRAL, L.. NATIVIDAD G., "Movie Release Strategy: Theory and Evidence from International Distribution", May 2019.

CABRERA BLÁZQUEZ, F.J.,  CAPPELLO, M;  ENRICH, E.,  TALAVERA MILLA, J.,  VALAIS S., Le cadre légal des coproductions internationales, IRIS Plus 2018-3, Observatoire européen de l'audiovsiuel, 2018


CARILLAT ,F.A., LEGOUX, R., HADIDA L.A., "Debates and assumptions about motion picture performance: a meta-analysis", Journal of the Academy of Marketing Science volume 46, pages273–299(2018)

CHISHOLM  D.C., FERNANDEZ-BLANCO V., ABRAHAM RAVIDS. et al. "Economics of motion pictures: the state of the art". Journal of Cultural Economics 39, 2015, pp. 1–13.

CONNELL, J., "Progress in Tourism Management. Film tourism : Evolution, progress and prospects", Tourism Management XXX, 2012, pp.1-23.

CRETON, L., L'économie du cinéma en 50 fiches, Armand Colin, 5ème édition, 2016.

CRISP, V., Film Distribution in the Digital Age. Pirates and Professionals, Palgrave MacMillan, 2015.

DAL YONG JIN, "Transforming the global film industries: horizontal integration and vertical concentration amid neoliberal globalization", International Communication Gazette, 74, 2012, pp.405-422.


DE VALCK, M., KREDELL B., LOIST S., (eds.) Film Festivals: History, Theory, Method, Practice, Routledge, 2016.

DE VINCK S., LINDMARK S., Statistical, Ecosystems and Competitiveness Analysis of the Media and Content Industries: the Film Sector, Joint Research Center, European Commission, 2012.

DEFILIPPI R., WILKSTROM, P., (ed.) International Perspectives on Business Innovation and Disruption in the Creative Industries: Film, Video and Photography, Edward Elgar Publishing, 2014.

DUVAL J., "Critique d'une analyse économique du cinéma", Revue française de socio-économie, 2012/2, n°10, pp.137-153.

EBBERS, J.J., WINJBERG, N.M., "The effects of having more than one good reputation on distributor investments in the film industry", Journal of Cultural Economics volume 36, pages227–248(2012)

EINAV L.  “Not all rivals look alike: Estimating an equilibrium model of the release date timing game,” Economic Inquiry 48, 2010? pp. 369–390.

FINNEY, A.G., The International Film Business. A Market Guide Beyond Hollywood, Routledge, 2010, 2nd edition, 2014

FOREST C. (dir.), Les salles de cinéma. Histoire et géographieCinémas
Revue d'études cinématographiques, 
Volume 27, numéro 2-3, printemps 2017

Focus. Trends of the World Film Market, Marché international du film du Festival de Cannes / Observatoire européen de l'audiovisuel, annuel depuis 1999.

FOREST, C., , L'internationalisation des productions cinématographiques et audiovisuelles, Presses Universitaires du Septentrion, 2017

GAUDREAULT A., MARION P., La fin du cinéma ? Un média en crise à l'heure du numérique, Armand Colin, 2013.

GIMELLO MESPLOMB F., "Trois nouvelles « zones grises » au prisme des évolutions sociotechniques du cinéma : économie de la notoriété, incertitude et phénomènes de traînes. Quelques considérations épistémologiques", Mise au point, 4/2012

GUNTER B., Predicting Movie Success at the Box Office, Springer, 2018.

GUTIÉRREZ-NAVRATIL F.,  FERNÁNDEZ-BLANCO, V.  OREA-SÁNCHEZ L, PRIETO-RODRÍGUEZ J.,  "Do movie majors really collude? Indirect evidence from release schedules", Hacienda Pública Española / Review of Public Economics, 221-(2/2017): 9-31

HANSON G.H., XIANG C., "Trade barriers and trade flows with product heterogeneity:an application to US motion picture exports". Journal of International Economics, 83, (1), 2011.

HARRIS H.C., Theorising the Cultural Impacts of Film Distribution in the Cinema and Beyond, Thesis, University of New South Wales, 2017.

HILL J., KAWASHIMA N., (eds.), Film Policy in a Globalised Cultural Economy, Routledge, 2018.

HING-YUK WONG C., Film Festivals: Culture, People, and Power on the Global Screen, Rutgers University Press, 2011

HOLLOWAY I.R. "Foreign entry, quality, and cultural distance: product-level evidencefrom US movie exports." Review of World Economics, 150 (2), 2013, pp. 371-392

HOLLOWAY I.R., “Learning via Sequential Market Entry: Evidence from International Releases of U.S. Movies,” Journal of International Economics, Vol. 104, pp. 104-121, January 2017.

International film co-production in Europe, European Audiovisual Observatory, 2018.

JARVIE, I.C., Towards a Sociology of the Cinema. A Comparative Essay on the Structure and Functioning of a Major Entertainment Industry , Routledge, 1970,  2nd edition Routledge, 2013.

KAUFMANN, J.C.., SIMONTON, D.K. (eds.), The Social Science of Cinema, Oxford University Press, 2014.

KERRIGAN, F., Film Marketing, Routledge, 2nd edition 2017.

KIM  H., JENSEN M.,  "Audience heterogeneity and the effectiveness of market signals: How to overcome liabilities of foreignness in film exports?" Academy of Management Journal, 57, (5), 2014, 1360-1384

KOCHBATI H., Projection numérique au cinéma : les nouvelles modalités de consommation des films art et essais (les cinémas Utopia / vidéo en poche). Thèse de doctorat, . Université de Strasbourg, 2016. 

KUNZ R., KUMB F., 'Influencing Factors of Movie Supply in Germany" , Discussion Paper, Universität Bayreuth Rechts- und Wirtschaftswissenschaftliche Fakultät, Oktober 2017.

LE ROY M., Télévision, cinéma et vidéo à l'ère du numérique.: Comprendre la révolution de la consommation audiovisuelle, CreateSpace Independent Publishing Platform, 2016.

LEVY-HARTMANN, F., "Une mesure de la diversité des marchés du film en salles et en vidéogrammes en France et en Europe",  Culture méthodes 2011/1 (n°1), pp. 1-16

LOBATO, R., Shadow Economies of Cinema: Mapping Informal Film DistributionBloomsbury Publishing, 2012

MARSHALL P, DOCKENDORFF M, IBANEZ S., "A forecasting system for movie attendance", Journal of Business Research, 66, 2014, pp.1800-1806.

McKENZIE, J., "The economics of movies: A literature survey", Journal of Economic Surveys, 26(1), 42-70.

MINGANT N., Hollywood à la conquête du monde: Marchés, stratégies, influences, CNRS Editions, 2010

MINGANT N., TIRTAINE C., (Eds.), Reconceptualising Film Policies, Routledge, 2017.

MOINE C., "La Fédération internationale des associations de producteurs de films : un acteur controversé de la promotion du cinéma après 1945"Le Mouvement Social 2013/2 (n° 243), pages 91 à 103

MÜLLER C., BÖHME E., A note on the relationship of mainstream and art house movie theaters, Department of Economics, Johann Wolfgang Goethe-University, Frankfurt am Main, Germany, 2011.

MURSCHETZ, P.C., TEICHMANN, R., KARMASIN, M., (eds.), Handbook of State Aid for Film: Finance, Industries and Regulation, Springer, 2018

OECD, Working Party of the Trade Committee. Experts Meeting on Audiovisual Services. Towards a Services Trade Restrictiveness Index Highlights of discussions during the meeting held 19-20 April 2011

SEISER, R., Der Blockbuster: Wie man einen Kassenschlager produziert. : Eine Studie mit den Schwerpunkten Dramaturgie, Finanzierungssysteme und Marketing,  Diplomica Verlag, 2013

SIX, M., Release Strategies in the Movie Industry: Why Arthouse Movies Benefit From a Day-And-Date Release, Thesis, Universiteit van Amsterdam, 2018.

SPICER, A., McKENNA A.T., MEIR C., (eds.) Beyond the bottom line: The producer in Film and television studies, Bloomsbury Publishing, 2014.

STONE, R., COOKE P., DENNISON S., MARLOW-MANN A. (eds.), The Routledge Companion to World Cinema, Routledge, 2018


WAYNE FU W., GOVINDARAJU A., "Explaining global box-office tastes in Hollywood films: homogenization of national audiences’ movie selections"., Communication Research, 37 , (2), 2010, pp.215-238

WAYNE FU W., SIM C., ""Examining international country‐to‐country flow of theatrical films". Journal of Communication, 60 (1), 2010, pp. 120-143

WAYNE FU, W. "National Audience Tastes in Hollywood Film Genres: Cultural Distance and Linguistic Affinity", Communication Research, April 2012, 

ZEMAITYTE V., COATE B., VERHOEVEN D., Media trade beyond country borders: five types of global cinemadistribution, University of Melbounrne, June 2018



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